Big Little Man In Search of My Asian Self

FREE BOOK Big Little Man In Search of My Asian Self By Alex Tizon – ð An award winning writer takes a groundbreaking

Sensational: The Hidden History of America's “Girl Stunt Reporters”

A vivid social history that brings to light the “girl stunt reporters” of the Gilded Age who went undercover to expose corruption and abuse in America, and redefined what it meant to be a woman and a journalist — pioneers whose influence continues to be felt today.

In the waning years of the nineteenth century, women journalists across the United States risked reputation and their own safety to expose the hazardous conditions under which many Americans lived and worked. In various disguises, they stole into sewing factories to report on child labor, fainted in the streets to test public hospital treatment, posed as lobbyists to reveal corrupt politicians. Inventive writers whose in depth narratives made headlines for weeks at a stretch, these girl stunt reporters changed laws, helped launch a labor movement, championed women’s rights, and redefined journalism for the modern age.

The 1880s and 1890s witnessed a revolution in journalism as publisher titans like Hearst and Pulitzer used weapons of innovation and scandal to battle it out for market share. As they sought new ways to draw readers in, they found their answer in young women flooding into cities to seek their fortunes. When Nellie Bly went undercover into Blackwell’s Insane Asylum for Women and emerged with a scathing indictment of what she found there, the resulting sensation created opportunity for a whole new wave of writers. In a time of few jobs and few rights for women, here was a path to lives of excitement and meaning.

After only a decade of headlines and fame, though, these trailblazers faced a vicious public backlash. Accused of practicing yellow journalism, their popularity waned until stunt reporter became a badge of shame. But their influence on the field of journalism would arc across a century, from the Progressive Era muckraking of the 1900s to the personal New Journalism of the 1960s and ’70s, to the immersion journalism and creative nonfiction of today. Bold and unconventional, these writers changed how people would tell stories forever. 

The Unfit Heiress: The Tragic Life and Scandalous Sterilization of Ann Cooper Hewitt

At the turn of the twentieth century, American women began to reject Victorian propriety in favor of passion and livelihood outside the home. This alarmed authorities, who feared certain over sexed women could destroy civilization if allowed to reproduce and pass on their defects. Set against this backdrop, The Unfit Heiress chronicles the fight for inheritance, both genetic and monetary, between Ann Cooper Hewitt and her mother Maryon.

In 1934, aided by a California eugenics law, the socialite Maryon Cooper Hewitt had her promiscuous daughter declared feebleminded and sterilized without her knowledge. She did this to deprive Ann of millions of dollars from her father's estate, which contained a child bearing stipulation. When a sensational court case ensued, the American public was captivated. So were eugenicists, who saw an opportunity to restrict reproductive rights in America for decades to come.

Come Fly the World: The Jet-Age Story of the Women of Pan Am

Glamour, danger, liberation: in a Mad Men–era of commercial flight, Pan Am World Airways attracted the kind of young woman who wanted out, and wanted up Required to have a college degree, speak two languages, and possess the political savvy of a Foreign Service officer, a jet age stewardess serving on iconic Pan Am between 1966 and 1975 also had to be between 5′3 and 5′9, between 105 and 140 pounds, and under 26 years of age at the time of hire. Julia Cooke’s intimate storytelling weaves together the real life stories of a memorable cast of characters, from Lynne Totten, a science major who decided life in a lab was not for her, to Hazel Bowie, one of the relatively few black stewardesses of the era, as they embraced the liberation of their new jet set life.

Cooke brings to life the story of Pan Am stewardesses’ role in the Vietnam War, as the airline added runs from Saigon to Hong Kong for planeloads of weary young soldiers straight from the battlefields, who were off for five days of RR, and then flown back to war. Finally, with Operation Babylift—the dramatic evacuation of 2,000 children during the fall of Saigon—the book’s special cast of stewardesses unites to play an extraordinary role on the world stage.


A gripping set of stories about the forces that shape girls and the adults they become. A wise and brilliant guide to transforming the self and our society.

In her powerful new book, critically acclaimed author Melissa Febos examines the narratives women are told about what it means to be female and what it takes to free oneself from them.

When her body began to change at eleven years old, Febos understood immediately that her meaning to other people had changed with it. By her teens, she defined herself based on these perceptions and by the romantic relationships she threw herself into headlong. Over time, Febos increasingly questioned the stories she’d been told about herself and the habits and defenses she’d developed over years of trying to meet others’ expectations. The values she and so many other women had learned in girlhood did not prioritize their personal safety, happiness, or freedom, and she set out to reframe those values and beliefs.

Blending investigative reporting, memoir, and scholarship, Febos charts how she and others like her have reimagined relationships and made room for the anger, grief, power, and pleasure women have long been taught to deny.

Written with Febos’ characteristic precision, lyricism, and insight, Girlhood is a philosophical treatise, an anthem for women, and a searing study of the transitions into and away from girlhood, toward a chosen self.

Women and Other Monsters: Building a New Mythology

A fresh cultural analysis of female monsters from Greek mythology, and an invitation for all women to reclaim these stories as inspiration for a wild, monstrous version of feminism

The folklore that has shaped our dominant culture teems with frightening female creatures. In our language, in our stories (many written by men), we underline the idea that women who step out of bounds who are angry or greedy or ambitious, who are overtly sexual or not sexy enough aren't just outside the norm. They're unnatural. Monstrous. But maybe, the traits we've been told make us dangerous and undesirable are actually our greatest strengths.

Through fresh analysis of 11 female monsters, including Medusa, the Harpies, the Furies, and the Sphinx, Jess Zimmerman takes us on an illuminating feminist journey through mythology. She guides women (and others) to reexamine their relationships with traits like hunger, anger, ugliness, and ambition, teaching readers to embrace a new image of the female hero: one that looks a lot like a monster, with the agency and power to match.

Often, women try to avoid the feeling of monstrousness, of being grotesquely alien, by tamping down those qualities that we're told fall outside the bounds of natural femininity. But monsters also get to do what other female characters damsels, love interests, and even most heroines do not. Monsters get to be complete, unrestrained, and larger than life. Today, women are becoming increasingly aware of the ways rules and socially constructed expectations have diminished us. After seeing where compliance gets us harassed, shut out, and ruled by predators women have never been ready to become repellent, fearsome, and ravenous.

The Agitators: Three Friends Who Fought for Abolition and Women's Rights

From the author of the New York Times bestseller Nothing Daunted, The Agitators chronicles the revolutionary activities of Harriet Tubman, Frances Seward, and Martha Wright: three unlikely collaborators in the quest for abolition and women’s rights. In Auburn, New York, in the mid nineteenth century, Martha Wright and Frances Seward, inspired by Harriet Tubman’s rescues in the dangerous territory of Eastern Maryland, opened their basement kitchens as stations on the Underground Railroad.Tubman was enslaved, Wright was a middle class Quaker mother of seven, and Seward was the aristocratic wife and moral conscience of her husband, William H. Seward, who served as Lincoln’s Secretary of State. All three refused to abide by laws that denied them the rights granted to white men, and they supported each other as they worked to overturn slavery and achieve full citizenship for blacks and women.The Agitators opens when Tubman is enslaved and Wright and Seward are young women bridling against their traditional roles. It ends decades later, after Wright’s and Seward’s sons—and Tubman herself—have taken part in three of the defining engagements of the Civil War. Through the sardonic and anguished accounts of the protagonists, reconstructed from their letters, diaries, and public appearances, we see the most explosive debates of the time, and portraits of the men and women whose paths they crossed: Lincoln, Seward, Frederick Douglass, William Lloyd Garrison, John Brown, Elizabeth Cady Stanton, Susan B. Anthony, Harriet Beecher Stowe, and others. Tubman, embraced by Seward and Wright and by the radical network of reformers in western New York State, settled in Auburn and spent the second half of her life there.With extraordinarily compelling storytelling reminiscent of Doris Kearns Goodwin’s No Ordinary Time and David McCullough’s John Adams, The Agitators brings a vivid new perspective to the epic American stories of abolition, the Underground Railroad, women’s rights activism, and the Civil War.

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Big Little Man In Search of My Asian SelfWho had interest in him He was a brother They Were Only Interested In Dating White Men Etc Maybe were only interested in dating white men etc Maybe maybe there were a few who just weren t interested in you dude I got a Soft Bots - Wind Up little tired of the woe i I wish I could hear about an Asian man s experience that doesn t claim Asian women have it easier because they re objects of sexual desire of white men Alex Tizon has an entire chapter dedicated to how he feels this way It s baffling because in the chapter right before he talks the forces that oppress and subjugate Asian women as sexual objects in both Asian and Western culture He describes experiences from women who are harassed a woman who goes from being a delicateotus to a dragon woman solely because she is capable at her job and even a friend who doesn t fit the mold of being a delicate tiny Asian and is ignored to the point where she feels invisible Yet he can t connect these dots to the next chapter He describes being unsure if the women who expressed romantic interest in him were only doing so because he was Asian after writing whole paragraphs about the yellow fever phenomenon that affected Asian women He talks about the way Asian men are stereotyped in movies but doesn t acknowledge that Asian women are stereotyped into roles as well what movie has the Asian woman shooting ping pong balls from her vagina Yes we have Lucy Liu our token Asian actress but who else He talks about how few Asian men reach the top Boy with Thorn levels of their corporate jobs how many Asian women do These stereotypes are two sides of the same coin I understand that he s speaking from his perspective As an Asian maniving in the US growing up when he did he experienced a evel of blatant racism that I will not in the present I am disappointed that he is unable to extend his experiences and understanding to Asian women as well The same racism that paints Asian men as feminine and undesirable sexually paints Asian women as hypersexual and submissive This affects the way we move through ife as well in our jobs and in public And being objects of sexual desire often than not makes it difficult not easier Tizon describes grappling with internalized racism without extending that understanding to the Asian women who shamed him and refused to date him That does not excuse their actions they are practicing prejudice and racism Tizon s writing however expressed an entitlement that rubbed me the wrong way Especially in his closing Playing With Kitty line I know nothing hurts than being rejected by someone who shouldove you SHOULD ove you For anyone who has ever wondered what it s ike to be an Asian man iving in a Western country ike the US this is a book you should not miss Alex Tizon is painfully honest about his own struggles with a sense of inferiority of searching for an identity of feeling marginalized in mainstream American society My husband is a Chinese national and I witnessed his treatment over the years in the US reading Alex s memoir was ike a revelation someone giving voice and even an explanation to what was often unbelievable and even shocking to me Alex also delivers a scathing critiue of how Western society has sullied the image of Asian manhood in many different ways If you re well read in this area it s not necessarily new territory But the value of this memoir is that Alex has integrated so many different sides of this issue yellow fever the bamboo ceiling even Hollywood and how it perpetuates a skewed image of Asian men into one fantastic bookIt s well written and addictive especially because Alex holds nothing back from the reader even when it comes to discussing his own manhood if you know what I mean There s also so much packed within the pages that I want to read it all over again This is a book I will cherish for years as the ultimate explanation to why Asian men in the West do not necessarily have it all Disclosure I received this book for free through NetGalleycom As a Taiwanese American female iving in a community with alpha Asian American males married to blonds or Asian Americans I could not relate to the author at all Perhaps the author was relating a Filipino American male experience and not so much Asian American There s a chapter about how he didn t know about the accomplishments a Chinese sailor given how public schools focus on Western history If you re part of the Chinese diaspora you re told at a young age that the Chinese invented everything and there s greatness that comes with being the descendants of dragons The chapter on Asian American males in media would have been a decent essay had he not confused Jay Chou with John Cho eye roll. D to be about race Next seismic cultural changes – from Jerry Yang’s phenomenal success with Yahoo Inc to actor Ken Watanabe’s emergence in Hollywood blockbusters to Jeremy Lin’s meteoric NBA riseFinally Tizon’s deeply original taboo bending investigation turns outward tracking the unheard stories of young Asian men today in a andscape still complex but much changed for the Asian American man?. ,

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Read Big Little Man In Search of My Asian Self

Es are vastly differentBig Little Man asks the uestion What does it mean to be an Asian man What did it mean then What does it mean now in a The Children ACT 1989 landscape where the ground below us is in a state of perpetual shift More than that it presents universal themes that speak of how we relate to our parents our ancestors and the world weive in Alex s perspective is his own and at the same time it can relate to any man s search for himself regardless of his color I had no idea the emotional impact Big Little Man would have on me or that i would cry myself me Or that I would cry myself sleep thinking of our dad in his My Grandmas the Mayor last daysooking back on his Royal Target (The Crown Affair, life In my mind I see our nephew Kai searching for some unknown something in the Asian corner of a video store He has been taught all about the great explorers and conuerers of our collective history in school Magellan Darwin Columbus Except that history didn t include Zheng He the great Asian explorer who I admit I hadn t heard of either before reading this book In Big Little Man Alex wonders how it might have changed things for him if the history he d been raised on had also included our Asian ancestors stories Big Little Man is honest at times painfully so It is courageous and bold and hopeful The Good This is a thoroughly enjoyable memoir Alex s reflections are deep and poignant The research is impeccable kind ofeaving me to feel as if I have a Kate Bridgess Mounties Bundle lot reading and film watching to do despite considering myself an aficionado of bothThe Mmeh Okay He drew me into his argument particularly during his citation of Asian films and male actors orack there of I found myself behind the book silently screaming Jackie Chan Jackie Chan I Just Try Me... love Jackie Chan He is one of the most if not the most charismatic and intelligent actor I ve ever seen on screen And I know it s not only me who feels this way Maybe the films he s starred in aren t up to par in accordance with a majority ranking or perhaps it s missing the point by generalizing Asians in a simple context but that s just it which further along Alex does an excellent job elucidating how following what s popular being a prime peccadillo to marginalizing grandeur overlookedAnd still the Best Part is the writing I couldn t get enough of the writing It s elouent refined it dances pockets out immigrant poor and those teeth I still see them along with that hinterlands of the field and many many euphemisms I simply treasured The parallels he draws to Land of Giants is tremendous He nails the American Premise Laughed to tears about him pulling out that ruler Oh my goodness really The many cases and references he cites just on and on this smoothly goes the makings of a remarkable journalistic memoir I highly recommend Big Little Man Thought provoking memoir about growing up as an Asian male in America I instantly felt a kinship with author and fellow Filipino American Alex Tizon as he recounted his coming to terms with how Asian men are perceived in the US His words really hit home and on several occasions I found myself nodding in agreement or verbalizing a yes An award winning journalist Tizon skillfully weaves his personal narrative into discussions of Asian male invisibility and the stereotypes used in the media His journey to a better understanding of his identity was thoroughly engrossing he could have easily gone down a academic route but thankfully his unflinchingly honest prose made for a provocative and at times heartbreaking read Whether it was media portrayals of the Yellow Peril or personal interactions withess enlightened individuals both white and non white Tizon s account is educational and ultimately uplifting it s a book that will stay with me ong after reading and rightfully so Woe is me memoir Asian men have small penises Asian women can be dragon adies or meek and submissive Author Alex Tizon explores perceptions of Asians racism and in his memoir of growing up and traveling Honestly I was uite bored The content is uite important The shift in media Asian side kicks in society he encountered Asian women who only wanted to date Caucasian men observing the the sex tourism industry up close the idea of the model minority the shift from Oriental to Asian etc But I found the book really tedious and occasionally confusing to read He constantly shifts time periods sometimes he s a kid he s in the present he s recalling his college days he s walking the street about to be mugged etc I felt the book couldn t uite decide what it wanted to be Memoir A study of the West s perception of Asians Sometimes it could get uite annoying He d meet women in school or in the neighborhood. E his own uest for ove during college in the 1980s a tortured tutorial on stereotypes that still make it hard for Asian men to get the girl Tizon writes I had to educate myself on my own worth It was a sloppy piecemeal education but I had to do it because no one else was going to do it for meAnd then a transformation First Tizon’s growing understanding that shame is universal that his own just happene. I read his book Big Little Man for a masculinities Course Last Year And NOWHERE In It Does He Even last year and NOWHERE in it does he even at the existence of his household slave He tells a ot of stories of his childhood and details mini biographies of his parents The Day We Meet Again lives especially as they pertain to the experience of Asian immigrants and he never once mentions Eudocia I had a few problems with his book butearning that he so completely erased a human being as well as his complicity in her slavery and emotional abuse is by far the biggest I thought his bit about how Asian women have IT BETTER BECAUSE WHITE PEOPLE SEE THEM AS EXOTIC better because white people see them as exotic beautiful while Asian men are emasculated in Western media was bad enough but this is despicable A good read for non asian to understand asian mentality and non Asian to understand Asian mentality and and for Asian to reflect on self identityBorn and raised in China came to US at age 22 I don t necessarily feel that I m American even though I have been Powder Room living here for seven years and got very used to the Americanifestyle I always consider myself Chinese and I m very proud of it But still Tizon s stories resonate with me because Americans don t treat us differently To them we are Asians regardless of how John Dollar long we have been in this country In that sense I muckier than Tizon because I m not expecting Americans to se I only got halfway into the book before I gave up Alex Tizon is so bitter about being an Asian man so desperate to get approval from others and is constantly seeing himself as a victim He complained so much about girls that had no interest in him but he faded out on girls that did Rebooting India like him and heiked back because he was so focused on his self pity I m an immigrant from an Asian country and most people feel that sense of not belonging in the beginning not till they become an adult Also all the history essons about how Asian women were treated horribly in the past were confusing to me He s not a woman so how is this relevant to his experience Hopefully the second half of the book is uplifting and encourages others ike him to be positive because I started reading this book hoping to be able to empathize and it s doing the exact opposite Full Disclosure I reuested an advanced copy of Big Little Man from NetGalley thinking I could write an unbiased review Silly of me really Alex Tizon is after all my big brother His history is Time After Time linked with mine His dad the big dreamer is my dad too This is not a professional review but rather my own personal reaction to this bookI already knew some of the stories shared within the pages of Big Little Man and yet reading them here transformed them into something than just tales I d grown up hearing I remember the fire story but I never knew how it started or that dad was in part responsible for its cause Of course that may be because I only ever heard dad s version of things It never occurred to me that having a fireplace was such a big deal to my immigrant family or that their pursuit of the ultimate American Dream complete with white Christmases and Prestoogs in the fireplace nearly killed them all I recall dad s obsession with his nose but I didn t know he was trying to make it taller so he could make himself handsome which for him meant Anglo and The Cost of the Forbidden (Irresistible Russian Tycoons less Filipino I never completely understood what dad meant when he told me I had a good nose because it wasn t flat Unlike Alex I was oblivious to the implications of thisYour nose is so round And so flat Talagang Pilipino So Filipino What s wrong with flatNothing is wrong with flat Pero sharper is better People will treat you better Theyl think you come from a better familyI am one of the sisters mentioned in this book who married a white guy In my defense I once had a crush on an Asian boy who took no notice of me whatsoever In fact no Asian boys seemed to notice me at Her Unforgettable Royal Lover least not romantically I figured I was the wrong kind of Asian girl Not petite enough aittle too opinionated a ittle too Americanized That s the thing about being Asian in America You try to ive in both worlds at the same time and end up feeling Backfire (Mountain Cove like you don t belong in eitherSeeing things from my brother s point of viewearning how our father s history and that of many known and unknown Asian men shaped him from a young boy to the man he is today opened my eyes to a perspective I had not previously considered I know well the culture clash of being raised Asian inside the home and having to translate that culture in a workable way outside of it I too had to navigate my brown self through a sea of white but as so often happens with siblings our stories our takeaways from our history and experienc. An award winning writer takes a groundbreaking Catacomb look at the experience and psyche of the Asian American maleAlex Tizonanded in an America that saw Asian women as sexy and Asian men as sexless Immigrating from the Philippines as a young boy everything he saw and heard taught him to be ashamed of his face his skin color his height His fierce and funny observations of sex and the Asian American male includ.

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